Cinderella Ate My Daughter
Peggy Orenstein
Connection to Christenson, Unlearning the Myths that Bind Us

1.) Christenson’s point: “Our society’s
culture industry colonizes their minds and teaches them how to act, live, and
dream.”
↕
Orenstein’s evidence: “‘If I were a
[blank], I’d [blank] to the store.’ The girls fell exactly into exactly four
camps: princess, fairy, butterfly, and ballerina.”

2.) Christenson point: “The messages or “secret
education” linked with the security of their homes, underscore the power these
texts deliver…the stereotypes and worldview embedded in the stories become
accepted knowledge.”
↕
Orenstein evidence:
→”linked in the security of their
homes underscore the power of these texts deliver…” –Christenson. →
“Princesses are uncomplicated, classic, and something solid that we (moms)
can understand and share with them…they provide…a common language of childhood
fun.” –Orenstein.
-The fairytales are classic and
give mothers the opportunity to share with their daughters a common interest
and encourage the bond because their won’t be as easy for a mother can first handedly
connect with when the girls become teenagers and are plugged in to Twitter and
Facebook. So in the world of Disney tales and princesses they share a bond, a
common language. This then creates the idea that the tales are secure and
acceptable because they are being shared with by a parent.
→”The stereotypes and world view”-Christenson
→ On the mothers’ objection to letting their
girls watch the fairytales…“Cinderella may ride off with the prince, but before
that she spends much of her time dressed in tatters, offering children object
lessons about kindness, forbearance, and humility. Without the back-story what
was left?” In response, a mother says, “I think it’s all about
being looked at,
being admired, and about special treatment, receiving it not giving it.” –Orenstein
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→ “embedded in the stories become
accepted knowledge.” –Christenson. → ‘Princesses value derives largely from
their appearance.’ “little girls need to feel to feel beautiful , that
being on display, being admired for how they look, is critical to their
developing femininity and fragile self-esteem; that princesses set their
imagination soaring.” –Orenstein.
- Appearance seems to be everything in all the
Disney tales. If you see a thin beautiful women she is probably the princess or
an object of lust or worship similarly to a strong and tall man, that is
admired for those attributes. If you see a fat, stumpy man he’s probable a fool
and then becomes not so attractive. No one wishes to be that guy, the fool because
that is the not the character that is desire in the film or tale instead it’s
the beautiful princess of the strong man. This then relays the accepted knowledge
that to be desired is to be thin and beautiful and for a man strong and tall.
Hi Nicole! I love you connections! I also LOVE LOVE LOVE disney movies so it is so hard to talk bad to them! Your connects between the two piece really tie both reading together!
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